The wait is over: Fred Zinnemann’s classic thriller, “The Day of the Jackal,” debuts on Blu-ray

Updated: Aug 6, 2019


BLU-RAY REVIEW / FRAME SHOTS

The Jackal (Edward Fox) adjusts the sights on the custom-made rifle that he will use to try and kill Prime Minister Charles de Gaulle. (Frame shots courtesy of Arrow Video)




“THE DAY OF THE JACKAL”


Blu-ray, 1973, PG for bloodless violence, brief nudity


Best extra: “In the Marksman’s Eye: Fred Zinnemann and ‘The Day of the Jackal,’” a new interview with author Neil Sinyard












IN MANY WAYS, “The Day of the Jackal,” the edge-of-the-seat political thriller that’s FINALLY making its Stateside Blu-ray debut, is right out of director Fred Zinnemann’s playbook.


Start with the “sheer craftsmanship. There isn’t a wasted shot,” says author Neil Sinyard in a new interview included on the Arrow Video disc. The parallel, then converging, storylines are another hallmark, and the race against time is reminiscent of “High Noon.”


But “Jackal’s” theme of the individual standing up to society and its institutions, which defined his Oscar-winning “From Here to Eternity” (director) and “A Man for All Seasons” (picture, director), and Oscar-nominated “High Noon” and “The Nun’s Story,” is crucial, Sinyard says.


Except that Zinnemann turned it on its head and took “a nihilistic direction.”


Did he ever.


Members of the Organisation armée secrète (OAS), the French dissident group opposed to Algiers’ independence, plot the assassination of de Gaulle.

The OAS fires on de Gaulle’s motorcade. When the attempted assassination fails, the dissidents recruit The Jackal.

Zinnemann was in the office of producer John Woolf when he saw the galleys for Frederick Forsyth’s (“The Negotiator”) first novel, which was based on his experience as a reporter for Reuters. Forsyth had followed Prime Minister Charles de Gaulle and learned that the police had dossiers on every dissident in France. He created the story on the premise that an assassination attempt would have to be by an outsider.


Adapting it presented two challenges, Sinyard says: How would audiences respond when they knew the outcome, and how would they react to a character for whom they felt no empathy?


Probably just like viewers who pick up this overdue Blu-ray: Forty-five years on, “The Day of the Jackal” is one of the most gripping thrillers you’ll find.

Unfolding like a documentary, it builds to an attempted assassination of de Gaulle that’s set in motion by the Organisation armée secrète, a short-lived paramilitary group that opposed independence for Algiers. After de Gaulle’s motorcade escapes an OAS fusillade, the group recruits an erudite Englishman known only as The Jackal (Edward Fox, “Edward & Mrs. Simpson”), but the police get wind of the plot.


The OAS meets the enigmatic assassin known only as The Jackal.

The Jackal studies tombstones for an alias that he can assume.

To elude the police, The Jackal takes on another guise, this one as a Danish schoolteacher.

Facing a choice that Gary Cooper would appreciate, he heads to Paris anyway.

Charming one moment, cold-blooded the next, Fox couldn’t be more convincing. The solid supporting cast includes Michael Lonsdale (“Ronin”) as Lebel, the police commissioner running the manhunt; Derek Jacobi (“I, Claudius”) as his assistant, Caron; and Cyril Cusack (“1984”) as The Gunsmith.


The just-as-solid print, the same one that was mastered for the U.K. release a few years ago, gives you a real appreciation Jean Tournier’s (“The Train”) meticulous cinematography. Colors are exceptional, blacks are deep and the consistent grain never gets in the way. While the detail is good in the close-ups, it occasionally gets lost in the shadows. The audio, though, isn’t as satisfying. Dialogue is always clear but the soundtrack hurts for depth.



Members of the French Ministry are briefed on the manhunt.

Michael Lonsdale, left, is Lebel, the police commissioner in charge of the manhunt, and Derek Jacobi is his assistant, Caron.


Other than “In the Marksman’s Eye,” the wide-ranging interview with Sinyard, extras are a mixed bag. They include two archival clips from the set, including an interview with Zinnemann, and the original script by Kenneth Ross (“The Odessa File”) on BD-ROM. Arrow has also put together a booklet that recounts the making of the film and its broadcast on British television. Zinnemann and Woolf were not pleased.


But, really, extras are beside the point.


What matters is the wait for “The Day of the Jackal,” not to be confused with the Bruce Willis-Richard Gere clunker “The Jackal,” is, at long last, over.


— Craig Shapiro



With the authorities aware of the assassination plot, The Jackal switches cars.

Disguised as a Danish schoolteacher, The Jackal travels to Paris.

The iconic Arc de Triomphe is the scene of the assassination attempt.

Lebel scans the rooftops for a sign of The Jackal.

The Jackal disguises himself as a veteran to get close enough to take aim at de Gaulle.



Charles de Gaulle is in The Jackal’ crosshairs.





Arrow Video trailer for "The Day of the Jackal"



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